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UK Midas PRO1 digital mixer, network remote control digital mixer

Total:14824 USD

Item:14671 USD   Shipping:153 USD

UK Midas PRO1 digital mixer, network remote control digital mixer

The PRO1 is a new breakthrough in the MIDAS digital mixer with a new lightweight aluminum frame construction. The PRO1 is the first independently operated MIDAS digital mixer that sets a new paradigm for portability and performance for compact digital mixers.

PRO1 is easy to configure and operate. For audio engineers who are new to MIDAS digital, you can relax and enjoy the sampled synchronous audio quality of PRO1 and easily control it.

Sound engineers familiar with MIDAS can download existing display files to PRO1, no matter which MIDAS digital mixer can be created and continue to work.

In addition to the 40 main input channels, the PRO1 has 8 auxiliary returns with a 4-band MIDAS parametric equalizer and insertion point. As long as the network I/O hardware has enough mic inputs, these 8 aux returns can be used as FX processor internals for PRO1 or as an additional microphone channel.

The 48 input channels are routed to 27 mixing buses, which include 16 user configurable auxiliary buses, which can also be mixed, subgrouped or mix minus grouped, in addition to 8 matrix buses. The matrix bus comes from the input channel, grouping, so it can also be used as 8 additional auxiliary buses (monitor bus and FX effect transmission), providing 24 busbars for monitoring mix (plus left and right and mono bus) . All busbars can be connected in stereo (except for the mono bus).

All audio routes can be routed to multiple destinations, and the console format can be reconfigured to live live broadcasts.

 Display

The high-resolution display is clearly visible even in direct sunlight. PRO1's performance in this regard is outstanding, because many other conventional console displays are difficult or even impossible to operate in high-brightness environments.

The visual feedback of the whole system is provided through this display. Press the “HOME” button (just to the left of the user-assigned control) to display the summary screen instantly. The overview screen contains all the important information at any time (all the volume meters, push Sub position, mute and solo).

Detail board area

The detail board is a vertical channel strip that has almost the same design as PRO2, 3, 6 and 9. Manipulation is designed to be a logical "signal channel" sequence and can be easily identified by their relative position. Users who are accustomed to using analog consoles or who are accustomed to using digital mixers will not find it difficult to use the large multi-color LCD channel selection buttons to control the console.

Input gain

PRO1 provides two input gain controls per channel. One is the remote control of the excellent Midas microphone amplifier and the other is the digital gain. Adjust the analog gain to get the "warm" that Midas is known for, and then trim the input to the desired size with digital gain.

Equalizer

The Midas digital equalizer features full inter-position control, which reproduces the unique phase shifting of the world's popular analog mixers. Each input channel has a 4-band parametric EQ, and the high-pass and low-pass filters are more versatile from the four filter types. These powerful EQ settings allow users to mimic the high sound quality of the Midas analog mixer with a digital equalizer, while also being limited to the electronic loop of the analog mixer, using different digital filter types.

Dynamic processing

The dynamic processing on the input channel of PRO1 is exactly the same as that of XL8. Each channel has a band-triggered noise gate and four types of compressors to choose from. These compressors feature variable knee values, built-in or external sidechain filtering and artificial tone options to provide more creative space.

The output (busbar) compressor is available in 5 categories. The choice of these compressors gives the tuner more creative space, and the display on the screen changes with different compressor types. The PRO1's FX rack offers more dynamic processing options, including multi-band compressors and dynamic equalizers.

Navigation channel

The concept of “paged” or “layered” has been eliminated. Instead, the tuner can set up multiple mix groups or multiple related channels while tuning the show, from any illogical “layering” or “pagination”, and in some inconveniences. It is preferable to locate the target channel (eg, in a half way of a series of logically arranged inputs).

PRO1 has two types of grouping. VCA (Variable Control Associations) and POPulation groups. These groups are color-coded and high-visibility tag labels and further support full-color daylight-visible TFT screens. Selecting a VCA or POP group will bring all members of the group to the specified area of ​​the control surface, filling the area from the VCA to the left. If there are more members in the group than the eight physical input channels visible, you can view the group by scrolling the input faders or pressing the "EXTEND" button. This additional input channel will fill the 8 VCA fader areas (16 input faders provided by the group).

Tuners who used to use faders "layering" can simulate this operation by editing POP groups, so navigation between the 3 layers of 16 input faders and the 48 input channels into PRO1 is easy. Realized.

When the GEQ SELECT button is enabled, selecting an output channel to which the GEQ function is assigned will display the GEQ on the VCA fader. Use the VCA fader to scroll left and right to use all 31 GEQ faders. If the FADER FLIP button is activated at the same time, the input fader will also become the channel delivery volume for the selected output.

COLLAPSED FILIP (when flipping unassigned hidden/display channels), in this mode, the mixer can only be assigned to the selected output and input channel fill.

automation

One of the most critical application requirements in the theater is the power and flexibility of console automation. The Midas PRO1 has taken into account these very specific requirements, and has the same powerful automation software as the XL8, which is no stranger to Broadway!

The PRO1 automation system can store and recall up to 1000 snapshot scenes. These include the control and network routing on the mixer, the configured FX rack, and the audio parameter values ​​in the mixer's own format, all of which are scene-specific.

Hardware Automation provides a “safe” button that allows the tuner to recall the desired processing area during the show. In addition to these, the scenes stored and recalled can be "processed in scope". So only the areas that the tuner wants to store or recall will be affected (all other controls will remain in their current state).

The channel settings can be edited in advance from the SHOW EDITOR screen (all scenes). And the scenes can be simple and fast, and will not be reordered, inserted and deleted repeatedly. The scene can be reviewed in real time, with no significant drop in audio, or through complex cross-fade options (including panning for programmable surround sound).

Provides MIDI inputs and outputs that can be used to control external MIDI devices or to restore the mixer from an external MIDI source. All software versions (including the storage display of the USB flash drive) are backward compatible, ie the display created on PRO1, regardless of which software version of the system, can be loaded into the mixer (via the USB flash drive). The PRO1 is compatible with all other MIDAS digital mixer systems.

Surround sound

In addition to normal stereo and SIS operation, PRO1 can be controlled in three surround modes:

Quad four-channel left-right front plus left-right rear

LCRS four channels left-medium-right plus single rear channel

5.1 six-channel left-middle-right plus sub plus left-right rear

These three surround mode functions define the depth of the surround sound image. Dynamic surround panning can be achieved with PRO1's trackball or with your chosen USB device.

FX

PRO1's 40-bit floating point audio processing offers a wide range of virtual FX devices with a wide range of options from dual mono delay units, stereo modulation and many different reverb effects, multi-band compression, dynamic equalizer and more Dynamic processing of channel dual functions. All FX processor functions are specifically developed for the Midas automatic delay compensation system. This ensures accurate mixing of phase coherent sampling. Whether the FX processor is used for channel insertion or transmission and return.

The Delay FX can be individually configured to synchronize to the hardware buttons of the PRO1’s GLOBAL TAP-TEMPO. This makes it easy and quick to convert the delay effect.

remote control

remote control

The remote control of the PRO1 can use the iPad and wireless access points. Install the PRO1 remote application on the iPad and connect the WAP to the Ethernet control port of PRO1 to configure the wireless link.

I/O options

The PRO1 is the first independently operated digital mixer with 24 inputs on the rear panel. However, it has a large number of optional MIDAS digital I/O units—fixed or modular—that can be connected via an inexpensive CAT5 class cable to expand the number of inputs to 48. To further increase flexibility, a large number of I/O boxes can be connected to the PRO1, up to 100 meters (300 ft) from the mixer, and any area of ​​the network allows audio point-to-point routing of up to 100 inputs x 102 outputs.

Offline editing

The MIDAS offline editor can create, edit, and display files. Offline editing allows for all parameter control, including creating display files, preset library management, system settings and patches, and more. The mixer can do this, and the offline editor can do the same, without having to learn any new operating procedures

Auxiliary channel band 2 parameter operation

Frequency adjustable from 16Hz to 25kHz

Gain +16dB to -16dB

BW0.1 Oct to 3 Oct

Qualcomm operation

16Hz-25kHz adjustable

Slope 24dB/Oct

Auxiliary channel band 1 parameter operation

Frequency adjustable from 16Hz to 25kHz

Gain +16dB to -16dB

BW0.1 Oct to 3 Oct

Qualcomm operation

16Hz-25kHz adjustable

Slope 6dB/Oct or 12dB/Oct

Shelf operation

Frequency adjustable from 16Hz to 25kHz

Gain +16dB to -16dB

Soft mode curve

Output channel function:

Output channel band 6 parameter operation

Frequency adjustable from 16Hz to 25kHz

Gain +16dB to -16dB

BW0.1 Oct to 3 Oct

Low pass operation

16Hz-25kHz adjustable

Slope 6dB/Oct or 12dB/Oct

Shelf operation

Frequency adjustable from 16Hz to 25kHz

Gain +16dB to -16dB

Soft mode curve

Output channel frequency band 3, 4, 5 parameter operation

Frequency adjustable from 16Hz to 25kHz

Gain +16dB to -16dB

BW0.1 Oct to 3 Oct

Output channel band 2 parameter operation

Frequency adjustable from 16Hz to 25kHz

Gain +16dB to -16dB

BW0.1 Oct to 3 Oct

Qualcomm operation

16Hz-25kHz adjustable

Slope 24dB/Oct

Output channel band 1 parameter operation

Frequency adjustable from 16Hz to 25kHz

Gain +16dB to -16dB

BW0.1 Oct to 3 Oct

Output channel GEQ 8 can be used to replace PEQ

31 band 1/3 Oct. proportional Q value

Low pass frequency adjustable from 2kHz to 20kHz

Slope 6dB/Oct or 12dB/Oct

Qualcomm frequency adjustable from 20Hz to 500Hz

Slope 6dB/Oct or 12dB/Oct

Output channel dynamic Pk, Linear, RMS, Vintage and Shimmer modes

Trigger point -50dBu to +20dBu

Start-up time 200uS to 20mS

Recovery time 50mS to 3 Sec.

Ratio 25:1 to 1:1

Inflection point 4dB, 12dB or 40dB

Gain 0dB to +24dB

Sidechain source optional + filter

Frequency adjustable from 50Hz to 15kHz

Bandwidth 1/3, 1 or 2 Oct

Effect channel function:-

Effect channel 16 available multi-channel effects can be adjusted to Modulate delay, Complex delay, reverbs, Advanced

Architect and engineer specifications

The PRO1 comes standard with:-

27 bus consoles (plus 4 solo)

48 main input (or 40 input plus 8 auxiliary return)

24 XLR mic/line inputs

24 XLR line inputs

2 AES/EBU inputs

3 AES/EBU outputs

1 mixer in the air box (only for TP version)

The system should be quickly configurable through an easy and portable solution to achieve all of its I/O, processing and center console bandwidths of 1/3, 1 or 2 Oct

Input channel noise gate Peak mode

Trigger point -50dBu to +20dBu

Start-up time 10uS to 20mS

Residence time 5mS to 2 Sec

Recovery time 2mS to 2 Sec

Range 100dB to 0dB

Sidechain source optional + filter

Frequency adjustable from 50Hz to 15kHz

Bandwidth 1/3, 1 or 2 Oct

Auxiliary input channel function:

Auxiliary channel band 6 parameter operation

Frequency adjustable from 16Hz to 25kHz

Gain +16dB to -16dB

BW0.1 Oct to 3 Oct

Low pass operation

16Hz-25kHz adjustable

Slope 6dB/Oct or 12dB/Oct

Shelf operation

Frequency adjustable from 16Hz to 25kHz

Gain +16dB to -16dB

Soft mode curve

Auxiliary channel frequency band 3, 4, 5 parameter operation

Frequency adjustable from 16Hz to 25kHz

Gain +16dB to -16dB

BW0.1 Oct to 3 Oct

PRO1 configuration:

• 100 input x 102 output (maximum) point-to-point routing to any area of ​​the network

• 24 mic/line inputs with Midas mic preamplifier

• 48 simultaneous input processing channels

• 24 analog outputs

(including 2 stereo local monitor outputs)

• 3 AES3 outputs

• 2 AES3 inputs

• 27 sample sync, phase consistent mix bus

• Up to 12 multi-channel FX engines

• Up to 28 Klark Teknik DN370

31 band graphic equalizer

• Full color 15" daylight visual display

• 8 VCA (Variable Control Association) grouping

• 6 POPulation groups

• 96kHz 40-bit floating point processing

Additional I/O unit options

• DL431 24 inputs 5 ways to split: fixed configuration I / O

• DL251 48 inputs / 16 outputs fixed configurable I / O

• DL252 16 inputs / 48 outputs fixed configurable I / O

• DL351 up to 64 inputs to 64 outputs configurable I/O

(8 card slot)

• DL451 up to 24 inputs / 24 outputs configurable I / O

(3 card slot)

PRO1 mixer weight and size:

• 685.20mm wide (26.98”)

• Deep 722.14mm (28.43”)

• Weight: 21.5kg (47.5Ibs)

*Weight is an approximation, excluding air box

Accessories

• Klark Teknik DN9331 Rapide Graphic Equalization Controller

• Klark Teknik DN9696 96-track high definition audio recorder 

Total:14824 USD

Item:14671 USD   Shipping:153 USD

 

How far(long) the transmitter cover?

The transmission range depends on many factors. The true distance is based on the antenna installing height , antenna gain, using environment like building and other obstructions , sensitivity of the receiver, antenna of the receiver . Installing antenna more high and using in the countryside , the distance will much more far.

EXAMPLE 5W FM Transmitter use in the city and hometown:

I have a USA customer use 5W fm transmitter with GP antenna in his hometown ,and he test it with a car, it cover 10km(6.21mile).

I test the 5W fm transmitter with GP antenna in my hometown ,it cover about 2km(1.24mile).

I test the 5W fm transmitter with GP antenna in Guangzhou city ,it cover about only 300meter(984ft).

Below are the approximate range of different power FM Transmitters. ( The range is diameter )

0.1W ~ 5W FM Transmitter :100M ~1KM

5W ~15W FM Ttransmitter : 1KM ~ 3KM

15W ~ 80W FM Transmitter : 3KM ~10KM

80W ~500W FM Transmitter : 10KM ~30KM

500W ~1000W FM Transmitter : 30KM ~ 50KM

1KW ~ 2KW FM Transmitter : 50KM ~100KM

2KW ~5KW FM Transmitter : 100KM ~150KM

5KW ~10KW FM Transmitter : 150KM ~200KM

How to contact us for the transmitter?

Call me +8615915959450 OR
Email me sky@fmuser.org
1.How far you want to cover in diameter ?
2.How tall of you tower ?
3.Where are you from ?
And we will give you more professional advice.

About Us

FMUSER.ORG is a system integration company focusing on RF wireless transmission / studio video audio equipment / streaming and data processing .We are providing everything from advice and consultancy through rack integration to installation, commissioning and training.
 
We offer FM Transmitter, Analog TV Transmitter, Digital TV transmitter, VHF UHF Transmitter, Antennas, Coaxial Cable Connectors, STL, On Air Processing, Broadcast Products for the Studio, RF Signal Monitoring, RDS Encoders, Audio Processors and Remote Site Control Units, IPTV Products, Video / Audio Encoder / Decoder, designed to meet the needs of both large international broadcast networks and small private stations alike.
 
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