"Yamaha MG124C 12-way mixer
P.T. Yamaha Music Manufacturing Asia - Production of electronic musical instruments and PA products from the initial design to final production, all manufacturing processes in Yamaha MG series mixed console are completed interior in the company. In other words, every device produced from our production line has passed the inspection of precision detection equipment under strict quality control standards. With this, we dedicate high quality professional audio products to you. The built-in SPX digital effect massage is packaged in a compact small MG "" CX "mixer housing. They combine rich and multi-energy digital integrated effects, providing a large number of reverb, delay, modulation, and distortion effects for your modification and definition. The 16 effects have a large number of editable parameters, the effects open / close the function and the effect return control. You can even mix the effects into auxiliary transmission, and "" Dwick "" listening and let the musicians hear. If you need to show your instrument or perform other operations, you can also use the optional pedal switch to connect to the effect pedal socket of the mixer, easy to switch the open / close state. Light design makes it easy to carry the design and manufacturing a lightweight mixer, but it is not easy to design a mixed compact and compact and meta-regularly requested mixer. The design team of Yamaha MG series has made great efforts, including depth materials and structural analysis, eventually present the most easy to operate in the same level, and the most powerful product. Now, you can load the minimum model of the MG series directly into the flyer or backpack, and start to adjust and install any place. Even the maximum model can also easily hold down on the underarm. But no matter what you need, his performance is far more than its weight in any location you need. Each MG series products can be described as a small body. A rich connection and professional level of interface excellent input output interface, making the installation settings and re-jumping easily. All models of mono microphone / line input channels are equipped with a high-quality NeutrikTM balance XLR interface, and the stereo channel is equipped with an XLR type interface. These professional interfaces have experienced a variety of detection of the Yamaha design team to be e equally equipped on the MG series mixer. The stereo channel can receive a mono microphone input signal via an XLR or a Phone type interface. The remaining stereo channels provide a Phone type jack and needle jug, which can be compatible with multiple sound sources. The mono input channel also has an insertion I / O interface that can be used to jump the external signal processor to these channels. A separate 2TR input port can be used to access the output signal of the CD player or the similar stereo sound source. This advanced feature built-in channel compressor can be used to get wonderful vocals, modify bass, guitar and other sound sources. There are very few build channel compression functions in the same level, but the new MG mixer provides innovative one-touch compression for mono input channels. The ordinary audio compressor will have thresholds, ratios, knee, makeup gain, and other control values, which are very complex when adjusting for a given sound source. Yamaha's one-button knob compressor ends this way, only a certain amount of simply rotation, you can get the professional-grade compression control results you need. High-performance phrase and switchable phantom power words are the most important feature of any mixer, and it is also a bottleneck of overall performance. This is also the cause of audio professionals often spend thousands of dollars on a single-channel call. The MG series built-in, inheriting the circuit technology of Yamaha * professional console, and the design of any dynamic microphone and capacitive microphone have extraordinary sound expressions by 殚殚 精 设计 精 设计. The gain reduction range of the microphone ranges from -60dB ~ -16dB (line input signal range -34db ~ + 10db) so you can get ideal sound balancing between any sound source. All words also include the switchable phantom power supply, which can make high quality capacitive microphone generate natural and extended frequency responses. 3 channel EQ and Qualcomm filters established real nature, musicized voice channel EQ is not easy, but Yamaha has played a role in the experience of producing professional console in Yamaha. You can make MG series exhibition EQ huge advantages: all mono channels have 3-stage equalizer, including Low, MID, and HIGH control. All stereo channels of some models are equipped with 2 paragraphs EQ, which can apply smooth equilibrium effects for stereo sound sources. Although there is no direct relationship with the equalizer circuit, 80 Hz low-pass filters are provided on all input channels, which can be used to remove low frequency noise outside the equalizer range. The auxiliary / effect is sent in addition to MG82CX, all models have 1-3 AUX transmission, which can easily implement system processing and monitoring operations. It is also provided that the master transmission control can be used as the RETURN level controller of the AUX and STEREO bus. All channels of the "CX" model have an EFFECT send controller, which can be used to adjust the level of signals from the corresponding channel to the signal to build an integrated effect of the integrated effect. The same signal can also be sent to the built-in effect by the Effect Send socket of the mixer. 2, 4 or 6 bus (stereo and group) The smallest model in this series - MG82CX and MG102C - there is a separate stereo bus (that is, 2 mono bus). All other models are more than 1-2 stereo group buses and output ports, which can be used for channel grouping. The allocation of stereo and group bus is located next to each channel fader. Smooth 60mm faders and the bright channel ON switch MG82CX and MG102C are equipped with rotation of the fader, all other models of channels and main level controllers can be smooth, no high performance 60 mm linear faders smooth, no Noise operation. When you need to operate multiple channels, the visualization of the relevant level setting is also very practical. Models with linear faders are also equipped with a capable-emitted channel ON switch. If this feature is applied, there is no need to change the position of the fader to add or delete the channel from the mix. The level meter is used for visual monitoring level monitoring to monitor the maximum signal to noise ratio in the case of non-distortion. MG mixer bright, easy-to-understand multi-stage LED level meter, can more easily control the level of the system, thereby improving overall performance. The MG82CX and MG102C optional microphone frame MG82CX and MG 102C can be mounted on the microphone frame to facilitate operational operation and access in place. You can use the optional BMS-10A microphone bracket adapter. The microphone rack is very convenient when using the small-scale MG series as the Cue Box of the drum-drum. Easy to operate all switches, controllers and display have been redesigned and layout, applying active touch and visual feedback, can achieve intuitive access and smooth, reliable operation. Technical Specifications Output MG124CX Mixing Capacity Mix Channel 2 Mono + 3 Stereo Group 2AUX2 (INCL. 1x Effect Send) Main Output Stereo Input Channel Function CH1-4: HPF Compressed 3 Split Split Sweep PEQ INTERT I / O; CH5-8 : HPF 3-segment medium frequency sweep PEQ; CH9-12: HPF 3 segment, PEQ built-in processor SPXI / O microphone input 4 phantom power supply + 48V DC; ON / OFF line input 4X stereo return 2tr in controller and other pedals Switch General technical specification MG124CX Total harmonic distortion below 0.1% Frequency response 0 +1.0 -3dB 20Hz-20KHz 音 and noise level average input noise -128DBU residual output noise-98DBU crosstalk -70dB power supply requirements use PA-20 AC adapter (AC35VCT 0.94A); According to the purchase area; AC100V 120V or 220-240V; 50 / 60Hz power consumption 30W appearance size width of 256.6mm; 10-1 / 8IN high 86.1mm; 3-3 / 8IN 436.6mm; 17-3 / 16IN Net weight 3.2kg; 7.1LBS Accessories User's Guide AC Adapter Input Features MG124CX Terminal Gain Input Impedance Used Rated Impedance Input Level Interface Sensitivity Nominal Distortion Maximum CH IN MIC (1-4) -60DB3Kω50-600Ω MICS-80DBU- 60DBU-40DBUXLR-3-31 * -16DB-36DBU-16DBU + 4DBUCH IN LINE (1-4) -34DB10KΩ600Ω Line-54DBU-34DBU-14DBUTRS Phone Type IX * + 10DB-10DBU + 10DBU + 30dBust Ch MIC in (5 / 6, 7/8) -60dB3KΩ50-600Ω MICS-80DBU-60DBU-40DBUXLR-3-31 * -16DB-36DBU-16DBU-6DBust Ch Line in (5/6, 7/8) -34DB10KΩ600Ω Line-54DBU- 34DBU-14DBUPHONE socket ** + 10DB-10DBU + 10DBU + 30dbust CH in (9/10, 11/12) -10KΩ600Ω Line-30DBU-10DBU + 10DBUPHONE socket **, RCA needle socket ** chinsert in ( 1-4) -10KΩ600Ω Line-20DBU0DBU + 20D BUTRS PHONE TO ** RETURN [L, R] -10KΩ600Ω Line-12DBU + 4DBU + 24DBUPHONE Type 6 ** 2tr in [L, R] -10KΩ600Ω Line-26DBV-10DBV + 10DBVRCA needle socket ** - Input sensitivity is When the device is set to the maximum gain, the lowest level of the rated output level can be generated. - 0dbu: 0.775vrms; -0dbv: 1vrms. - *: Balance; **: Non-balanced output characteristics MG124CX terminal actual source impedance used rated impedance output level interface Nominal distortion maximum STEREO OUT [L, R] 75Ω600Ω line + 4DBU + 24DBUXLR 3-32 *, TRS Phone Type * Group OUT [1, 2] 150Ω10KΩ Line + 4DBU + 20DBUTRS Phone Type 6 *** Aux Send150Ω10KΩ Line + 4DBU + 20DBUTRS Phone Type 6 *** Effect Send150Ω10kΩ Line + 4DBU + 20DBUTRS Phone Type *** CH INSERT OUT (1-4) 75Ω10kΩ Line 0DBU + 20DBUPHONE socket ** REC OUT [L, R] 600Ω10kΩ Line-10DBV + 10DBVRCA needle socket ** Monitor Out [L, R] 150Ω10KΩ line + 4dbu + 20dbutrs Phone type jack *** Phones out100Ω40KΩ line 3MW75MWSTEREO phone type jack ** - 0dbu: 0.775vrms; -0db: 1Vrms. - *: Balance; **: Unbalance; ***: Impedance Balanced input specification MG124C terminal gain input impedance used rated impedance input level interface sensitivity nominal distortion maximum CH in MIC (1-4) -60dB3KΩ50-600Ω MICS-80DBU-60DBU-40DBUXLR-3-31 * -16dB -36DBU-16DBU + 4DBUCH IN LINE (1-4) -34DB10KΩ600Ω Line-54DBU-34DBU-14DBUTRS Phone type socket * + 10DB-10DBU + 10DBU + 30DBust CH MIC in (5/6, 7/8) -60dB3KΩ50-600Ω MICS-80DBU-60DBU-40DBUXLR-3-31 * -16DB-36DBU-16DBU-6DBust CH LINE IN (5/6, 7/8) -34DB10KΩ600Ω Line-54DBU-34DBU-14DBUPHONE socket ** + 10DB-10DBU + 10DBU + 30DBust CH in (9/10, 11/12) -10KΩ600Ω Line-30 DBU-10DBU + 10DBUPHONE type jack **, RCA needle socket ** CH INSERT IN (1-4) -10KΩ600Ω line -20dbu0dbu + 20dButrs Phone type socket ** Return [L, R] -10KΩ600Ω line -12DBU + 4DBU + 24DBUPHONE type jack ** 2 TR IN [L, R] -10KΩ600Ω Line-26DBV-10DBV + 10DBVRCA needle socket ** - Input sensitivity is the lowest level of the rated output level when the device is set to the maximum gain. - 0dbu: 0.775vrms; -0dbv: 1vrms. - *: Balance; **: Non-balanced output specification MG124C terminal actual source impedance used rated impedance output level interface nominal distortion maximum STEREO OUT [L, R] 75Ω600Ω line + 4DBU + 24DBUXLR 3-32 *, TRS Phone Type 6 * Group OUT [1, 2] 150Ω10KΩ Line + 4DBU + 20DBUTRS Phone Type 6 *** Aux Send (1, 2) 150Ω10kΩ line + 4dBu + 20dButrs Phone type socket *** CH INSERT OUT (1-4) 75Ω10kΩ line 0DBU + 20DBUPHONE type socket ** REC OUT [L, R] 600Ω10kΩ line -10dbv + 10dbvrca needle socket ** monitor OUT [ L, R] 150Ω10kΩ line + 4dbu + 20dbutrs Phone type junction *** Phones out100Ω40KΩ line 3MW75MWSTEREO Phone type socket ** - 0dbu: 0.775vrms; -0dbv: 1vrms. - *: Balance; **: Unbalance; *** : Impedance Balance
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